Matt Smith Exclusive Interview

This is Whovian Heaven! I’m on the second floor of Cardiff’s Doctor Who Experience, which houses the Silence in their time ship, companions’ costumes and the new Series 7 exhibits, including a Weeping Angel (making their Experience debut), a pterodactyl and Oswin’s red dress from Asylum.

Just around the corner, there’s an evolution of the Daleks display, with an original 1960s Dalek, the Special Weapons Dalek from Remembrance, an RTD-era Bronze one, and a magnificent yellow Dalek from the new Paradigm. For any fan, this would make their day, their week, their month – but they’re all suddenly eclipsed…

It’s Matt Smith’s first official visit to the Experience, and, sporting a cool leather jacket and Rolling Stones t-shirt, he’s heading straight for me. He’s framed by Night Terrors’ Peg Dolls and that painting of Abigail from A Christmas Carol, and sidling across the rug from the Oval Office. Oh look, the Wooden Queen and King from The Doctor, the Widow and the Wardrobe are just over there, and, as Matt greets me, I notice the Absorbaloff just next to them. Best not to mention him.

This is going to make my year.

What do you think of the exhibition?

I think it’s fantastic! To have all these monsters – all these Doctor Who-related things – under one roof is an absolute joy. It’s fantastic.

And I’m very proud to be part of a show that can put on an event like this.

Have you seen any creatures that you haven’t faced but would like to? The Absorbaloff maybe?

That’s actually the first one I’ve seen because I’ve literally only walked around this part of the Experience. So far! Because I came to talk to you guys, so, as yet, it’s unchartered territory!

[Matt would later get a chance to fully explore the exhibition with showrunner, Steven Moffat, before the two would make history, having their handprints immortalised.]

You always get asked about your favourite episode, but have you got any favourite scenes or lines?

Oh, lots! I love the Amy and Rory scene, falling off a building in The Angels Take Manhattan; I love the revelation of Jenna’s character in the Dalek episode… I love The Eleventh Hour, when the Doctor meets Amelia Pond. That ‘fish fingers and custard’ scene is probably one of my favourites, I think.

Be honest: do you still tuck into them?

[Laughs] Still tuck into them, yeah – that’s it! Breakfast, lunch and dinner!

Have you got any wintery tales that you’d like to see given the Doctor Who spin, similar to A Christmas Carol?

Like, sort of, remakes? That’s interesting, isn’t it?  I was talking to someone the other day who said that quite a good Christmas special would be – and this is going to be shameful to admit – It’s A Wonderful Life. With a timey-wimey twist! But I’ve not seen it, so I don’t know. I’ve got to watch that movie this Christmas.

I leave all that to Steven because he’s far cleverer than I am!

Do you ever want to write an episode?

Yeah! Yeah – you know what? – I kind of would. But I’m not good enough to write an episode.

I’m sure you are – I’m sure Steven would let you!

No! Gosh, no. He’s very adamant that to be a writer on Who, you’ve got to have done a lot before.  You know, because you’ve got 47 minutes and you’ve got to pack in a huge amount of narrative. And it’s not an easy thing to do and get right – and to get the Doctor’s voice bang on is difficult as well!

And finally, what’s it like not having Doctor Who Confidential there on set with you?

Oh, it’s a shame! Bring Confidential back, universe…!

Massive thanks to Matt Smith, who’s a genuinely nice guy – and a truly fantastic Doctor.


When he’s not watching television, reading books ‘n’ Marvel comics, listening to The Killers, and obsessing over script ideas, Philip Bates (Kasterborous' former Editor) pretends to be a freelance writer. He enjoys collecting everything. He is the co-founder of The Doctor Who Companion:

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